Sir Edward Burne Jones (1833-1898) was a British illustrator, painter, and designer. He was the former apprentice of Dante Gabriel Rossetti. His paintings often had a medieval romantic imagery and with this style, he managed to achieve success. One of his successful paintings was the The Beguiling of Merlin in which he had an exhibition for from 1873 to 1877. As a designer, Jones created 87 stained glass and tapestries pieces for the Kelmscott Press edition of Gregory Chaucer, which is known as one of the world’s finest collection of prints. In 1857, Jones collaborated with William Morris to paint a mural in the Oxford Union. In 1894 he was commissioned to created set and costume designs for the Lyceum Theatre production of King Arthur.
Norman Rockwell (1894-1978) was an American painter and illustrator. He studied at the Art Student league and received his first assignment at the age of 17. He produced over 317 covers for The Saturday Evening Post. Rockwell’s success attracted the attention of other major magazine companies such as Life, Judge, and Leslie’s. In 1917, he joined the Navy during World War I, and started working for the camp’s newspaper. Still, he was allowed to work for the Post. After the war, he began working in advertising. In 1941, Rockwell was given his first major show at the Milwaukee Art Institute. Rockwell later received the honorary Doctor of Fine Arts degree from the University of Massachusetts and the Interfaith Award of the National Conference of Christians and Jews for his Post cover paining of the Golden Rule.
NC (Newell Convers)Wyeth (1882-1945) was an American artist who began drawing as a child. Through out his childhood, he received training from several schools until the age 20 when he was enrolled into Howard Pyle School for the sessions of 1902. Under Pyle’s teachings, Wyeth began to blossom as an artist. This led to him getting his first illustration assignment within the same year. He was asked to create a cover for The Saturday Evening Post. Later he went on to do more illustrations for other magazines until becoming a contributor to Harpers, McClures, and Scribners. Wyeth graduated from Pyle’s School in 1904, but still continued to use the studio to paint.
Maxfield Parrish (1870-1966) was an American painter and illustrator who is best non for his classical style and saturated hues. He began drawing as a child just to keep himself entertained. He received early training from his father Stephen Parrish who was a painter and print maker. Parrish later studied college at Haverford College. He changed to painting and took classes under Howard Pyle at the Drexel Institute. Parrish created several posters, designs and illustration for Harper’s Weekly, The Century, and Collier’s. Some of his work were fantasy influenced and consist of woodland scenes. His other work consisted of calendars and books such as The Golden Age and Day Dreams that were created by Kenneth Grahame. In 1898 designed and built his own home in New Hampshire. Parrish work had a big influence at this time. Several colored calendars and prints adapted to his style and sold millions.
Ludwig Hohlwein (1874-1949) was educated as an architecture, but later started a career in poster designing. This gained him popularity while working in Germany. Because of his unique style, his work was easily established and recognizable. During the first World War, Hohlwein was employed by the German government to create propaganda posters. His influence for his work were the events of the Arts and Crafts movement flourishing in Vienna at the time. By the early 20th Century, he was established as the most important and greatest poster artist in Germany at the time. Also Hohlwein did work for World War II. He became the German master of color and line with his unique use of colors and tones.
Joseph Leyendecker (1874-1951) was both an illustrator and entrepreneur. One of his inspirations was Norman Rockwell. In 1896 he won a context for Century Magazine which brought his work to national notice. As a book and magazine illustrator, Leyendecker painted 322 covers for the Saturday Evening Post. He also painted for painted for American Weekly, Collier’s, Century Illustrated, and the Ladies’ Home Journal. Some of his work also includes painted posters of athletic men and lithe women. His later work were designs for fashion in which ended defined the 20th century era. There are only a handful of books illustrated by Leyendecker. He focused mostly on cover assignments which paid more and required less effort. In 1907 he formed a relationship with Arrow Collar. During this period, he created an American icon that was a counterpoint to the Gibson Girl.
Jessie Willcox Smith (1863-1935) was an American illustrator who is famous for her work in several children books and the Ladies Home Magazines She was also a student of Howard Pyle and considered the most gifted of all his students. Her work was considered very mature for her age. Smith’s art didn’t resemble her teachers, but of several poster artists such as Edward Penfield and Toulousen Lactrec. Her art style resembles those of Art Nouvea and the Art and Crafts movement. Smith’s use of the styles inspired a school of followers. Her illustrations often depicted moments of childhood such as fear of the dark or playing with blocks. Smith’s portrayal of children changed the American culture.